Andrew Dadson

Heather Rowe

Ryan Gander

David Altmejd

Jessica Eaton

Jose Dávila

Wayne Ngan

Paul Kajander

Hanna Hur

An Te Liu

Allyson Vieira

Katie Lyle

Sojourner Truth Parsons

Jennifer Murphy

Kara Hamilton

Aleesa Cohene

Valérie Blass

(b. 1981)
&nbsp;
<h3>Education</h3>
2016
MFA, University of Guelph, Canada
&nbsp;
<h3>Solo Exhibitions</h3>
2020
Lightbringer, Stride Gallery, Calgary
The heart can’t wait, Daniel Faria Gallery, Toronto
2019
Love S.O.S., Centre(3), Hamilton
2018
Meirenyu, Daniel Faria Gallery, Toronto
2017
A tender touch can bend the straightest of things, Eastern Edge Gallery, St. John’s
2016
Of you, unfolding, Daniel Faria Gallery, Toronto
2015
The force of what lives us outliving the mountain, VU PHOTO, Québec
&nbsp;
<h3>Selected Group Exhibitions</h3>
2019
Touch Screen, Galerie Antoine Ertaskiran, Montreal
( ), Daniel Faria Gallery, Toronto
If I Have a Body, The Remai Modern, Saskatoon
Summer Camp, SPAO Centre, Ottawa
A History of Photography: Selections from the Museum’s Collection, Museum of Fine Arts, Houston
2018
Earthbound, Bunker 2 at The Bentway, Toronto
Forward Motion, Small Arms Gallery, Mississauga
Untold Stories (Scarborough), Doris McCarthy Gallery, University of Toronto, Scarborough
2017
VICE Photo Show 2017, The Costume House, Toronto
L’expo photos 2017 de VICE, Musée d’art contemporain de Montréal, Montréal
Skin Deep, Skimming the Pages, Drake One Fifty, Toronto
An Orbit, The Drake Hotel, Toronto
2015
Under the passing stars, Eyelevel Gallery, Halifax
2014
Soft Movements in the Same Direction, The New Gallery, Calgary
Atlas Sighed: The Calgary Biennial of Contemporary Art, Calgary, curated by Steven Cottingham
Place: Framing the Oregon Landscape, Oregon Historical Society, Portland, curated by Laura Valenti
Fresh AiR: Newspace Artist in Residence Exhibition, Newspace Center for Photography, Portland
2013
DIY (Visits Chicago): Photographers and Books, The Center for Book and Paper Arts, Columbia College, Chicago
2012
At the Same Time, Canadian Lesbian &amp; Gay Archives, Toronto
That’s So Gay: Girls Who Are Boys Who Do Boys Like They’re Girls, Gladstone Hotel, Toronto, curated by Sholem Krishtalka
Before We Were Queer: Pop-Up Museum of Queer History, Leslie Lohman Museum of Gay and Lesbian Art, New York
2011
Love in Translation, XPACE Cultural Centre, Toronto
Proof 18, Gallery 44 Centre for Contemporary Photography, Toronto
&nbsp;
<h3>Public Works</h3>
2017
Beacon, Philadelphia Photo Arts Center, Philadelphia
Water and Sky, Jack Layton Ferry Terminal, Toronto, curated by Chris Foster and Daniel Rotsztain
New Romantics, CONTACT Photography Festival, Toronto, curated by Heather Rigg
2016
Come to My Window, Artscape Youngplace, Toronto, curated by Matthew Kyba
A Public Display of Affection, AKA artist-run, Saskatoon
&nbsp;
<h3>Awards &amp; Residencies</h3>
2017
Philadelphia Photo Arts Center, Artist Residency, Philadelphia
Doris McCarthy Artist Residency, Fool’s Paradise, Scarborough, Canada
Ontario Arts Council, Visual Artists Creation Projects: Emerging
2016
Canada Council for the Arts, Project Grant to Visual Artists
Toronto Arts Council, Visual Artist Grant: Emerging
2014
AIMIA | AGO Photography Prize MFA Residency with Elad Lassry, Art Gallery of Ontario, Toronto
Ontario Arts Council, Visual Artist Grant: Emerging
2013
Thematic Residency: We Are Full Of Holes with Luis Jacob, Artscape Gibraltar Point, Toronto
2012
Newspace Center for Photography, Artist Residency, Portland
Ontario Arts Council, Visual Artist Grant: Emerging
Toronto Arts Council, Visual Artist Grant: Emerging
&nbsp;
<h3>Selected Bibliography</h3>
2018
Sholis, Brian. “Critics’ Picks: Steven Beckly.” Artforum. February 8, 2018.
2017
Canadian Art. “11 Projects to See at the Contact Photography Festival.” April 27. &lt;http://canadianart.ca/features/11-projects-to-see-at-the-contact-photography-festival/&gt;
Eagan, Mireille. “The Space Between.” A tender touch can bend the straightest of things. St. John’s: Eastern Edge Gallery.
2015
Latulippe, Julie-Ann. “La proximité des corps.” The force of what lives us outliving the mountain. Québec: VU PHOTO.
Dupuis, Chris. “Steven Beckly’s sexuality and portraiture.” Xtra! Magazine. November 2. &lt;http://dailyxtra.com/toronto/arts-and-entertainment/steven-beckly’s-sexuality-and-portraiture-179701&gt;
Sherlock, Diana. “Calgary Biennial Takes Conservatism to Task.” Canadian Art. April 6. &lt;http://canadianart.ca/reviews/calgary-biennial-takes-conservatism-to-task/&gt;
2014
Sorell, Lindsay. “We really loved each other, you know.” Soft Movements in the Same Direction. Calgary: The New Gallery.
Clark, Bill, ed. “Steven Beckly: Reunions.” Magenta Magazine. Spring 2014.
Globe Now. “Collection of antique photos celebrates same-sex relationships of the past.” The Globe and Mail Online. May 25. &lt;http://theglobeandmail.com/arts/arts-video/collection-of-antique-photos-celebrates-same-sex-relationships-of-the-past/article18835480/&gt;
2012
Katz, Jonathan D. “Steven Beckly: Hush.” Thresholds: The MIT Department of Architecture Journal. Vol. 40. Cambridge: MIT Press.
Bride, Lauren. “Love in Translation.” Volume 3. Toronto: XPACE Cultural Centre.
Yates, Carolyn. “Concomitant Connections.” Xtra! Magazine. August: p. 13.
2011
Martínez, Isabel M. “Amblyopia: Image Quality and Image Viewing in the Digital Era.” Proof 18. Toronto: Gallery 44 Centre for Contemporary Photography.
2010
Starr, Christina. “Sensual photos capture daily lives of gay couples.” Xtra! Magazine. February: p. 24.
&nbsp;
<h3>Public Collections</h3>
Museum of Fine Arts, Houston
University of Toronto Libraries, Toronto

Steven Beckly

Artforum, 2018

Canadian Art, 2017

Critical Superbeast, 2016

Wavepool, 2015

Canadian Art, 2015

Remai Modern - "If I Have a Body"

Installation view of Steven Beckly at Remai Modern, 2019. Photo: Blaine Campbell.

Steven Beckly, Equipoise, 2019_01

Equipoise, 2019

Steven Beckly, Forever and ever, 2019_01

Forever and ever, 2019

Steven Beckly, Forever and ever, 2019_02

Forever and ever, 2019 (detail)

(corner poem), 2016/ongoing

Goldenrod, 2017

Skyward, 2018

Deep-Freeze-1

Deep Freeze, 2017

K_Undine-Rising-1

Undine Rising, 2017

H_Mood-Ring-2

Mood Ring, 2017

09_MG_2642

Installation view of Steven Beckly

I_Soft-Tissue-1

Soft Tissue, 2017

08_MG_2737

Soft Tissue, 2017 (detail)

T_Untitled-O-1

Untitled (O), 2017

U_Pool-of-Andromeda-1

Pool of Andromeda, 2017-18

Pool-of-Andromeda-3

Pool of Andromeda, 2017-18 (detail)

Install-17

Installation view of Steven Beckly at Daniel Faria Gallery, 2018

Install-16

Install-2

ofu-01

ofu-02

Meet you half way, 2016

ofu-03

ofu-04

Pellicula, 2015

ofu-05

With You, 2015-16

ofu-07

With You, 2015-16 (detail)

ofu-06

ofu-09

∞, 2016

ofu-11

On the other side of your skin, 2016

ofu-08

Installation view of Steven Beckly at Daniel Faria Gallery, 2017

ofu-15

Steven Beckly, (corner poem), 2016

(corner poem), 2016

ofu-16

Untitled (U), 2016

ofu-12

ofu-13

Stacked Life, 2015-16

Lives and works in Vancouver, Canada
&nbsp;
<h3>Education</h3>
2002         Emily Carr Institute of Art and Design, Vancouver, Canada
1996          Hokkaido University of Art &amp; Design, Sapporo, Japan
1995          Capilano College, North Vancouver, Canada
1994          Aichi Gakusen University, Toyota City, Japan
&nbsp;
<h3>Solo Exhibitions</h3>
2020
I Spy: Elizabeth Zvonar, The Polygon Gallery, Vancouver
2019
Milky Way Smiling, Scotiabank Photography Festival, Toronto
2018
Ageless Ambiguity, Daniel Faira Gallery, Toronto
2017
The Future Is Coming Everyday, Art Gallery at Evergreen, Coquitlam
To you it was fast, Burrard Arts Foundation, Vancouver
2015
The Experience, Vancouver Art Gallery Offsite, Vancouver
THE CHALLENGE OF ABSTRACTION, Daniel Faria Gallery, Toronto
2014
I Really Do Believe The Best Thing A Person Can Do With Themselves Is To Expand Their Minds, Gallery 295, Vancouver
2013
Banal Baroque, Daniel Faria Gallery, Toronto
2009
On Time, Contemporary Art Gallery, Vancouver (On Time was shown concurrently with the co-curated by Elizabeth Zvonar and Jenifer Papararo exhibition Face Up, featuring works by Lee Lozano, Bruce Nauman and Sarah Lucas, shown to contextualize Zvonar’s practice).
There Are No Rules, The Western Front, Vancouver
2008
Super Human Be In, Malaspina Printmakers, Vancouver
2007
Parallel Dimension, Artspeak Gallery, Vancouver
&nbsp;
<h3>Group Exhibitions</h3>
2020
 Afterimages: Maude Bernier Chabot, Brie Ruais, Elizabeth Zvonar, Musée D’Art De Joliette, Joliette
2019
Dana Claxton: Fringing the Cube, Vancouver Art Gallery, Vancouver
2018
Deep Flash: On Art and Transformation, VisArts, Rockville, MD
Beginning with the Seventies: GLUT, Belkin Art Gallery, Vancouver
2017
Skin Deep, Skimming the Pages, The Drake One Fifty, Toronto
The Future Is Coming Everyday, Evergreen Cultural Centre, Coquitlam
Here: Locating Contemporary Canadian Artists, Aga Khan Museum, Toronto
2016
AIMIA | AGO Photography Prize, Art Gallery of Ontario, Toronto
Just Visiting, Soil Gallery, Seattle
Teleportation, Art Labour Gallery, Shanghai
New Acquisitions, Bunaby Art Gallery, Burnaby
Histories of Art, Daniel Faria Gallery, Toronto
2015
Cut, Western Front, Vancouver
All Rise, The Quiet Music Festival of Portland in Seattle, Seattle
2014
On Stage: Recent Acquisitions, Vancouver
Unreal, Kamloops Art Gallery, Kamloops, B.C.
Beside Yourself, AHVA, University of British Columbia, Vancouver
2013
Parallels, Biography of the Image, SFU Audain Gallery, Vancouver
Crystal Tongue, Exercise Projects, Vancouver
2012
Elegant Disorder: Perspectives on Porcelain, Belkin Satellite, Vancouver
Cut &amp; Paste, Equinox Project Space, Vancouver
Phantasmagoria, Presentation House Gallery, North Vancouver
Freedom of Assembly, Oakville Gallery, Oakville, Canada
New Meditations, Daniel Faria Gallery, Toronto
Science Fiction 18: The Future from Memory, Or Gallery, Vancouver
An Era of Discontent, Art as Occupation, Kamloops Art Gallery, Kamloops, Canada
2011
Unreal, Vancouver Art Gallery, Vancouver
Museum of Longing and Failure, Jan. 28 – Mar. 4, 2011, Bergen, Norway
2010
Post It, Galerie Rostrum, Malmo, Sweden
Sea Change, The Lion’s Den, Vancouver
The Things We Do, Simon Fraser University Gallery, Vancouver
The New Paradigm: The Pavillion, Models, Diagrams and Proposals for the Coming Age, Vancouver
Days of the Eclipse, Mercer Union, Toronto
Endlessly Traversed Landscapes, City of Vancouver Cultural Olympiad, Vancouver
2009
All That’s Solid Melts Into Air, (Part II: The Thing), Museum van Hedendaagse Kunst Antwerpen, curated by Dieter Roelstraete, A MuHKA exhibition in co production with MMMechelen, Mechelen, Belgium
2008
Exponential Future, Morris and Helen Belkin Art Gallery, Vancouver
2007
Fade Away and Radiate, Cohan and Leslie Gallery, New York
2006
Concrete Language, Contemporary Art Gallery, Vancouver
Until Then Then, Western Front Gallery, Vancouver
The End, Queensland University of Technology, H Block Gallery, Brisbane, Australia
Something Pale Pink, Geisai #9, Tokyo
2005           
The Contemporary Library Project, The National University Library, Pristina, Kosovo
Birdo Flugas Project, Sign Gaienmae Gallery, Tokyo
2004           
Production, Consumption &amp; Function: Exploring Alternative Economies Helen Pitt Gallery, Vancouver
&nbsp;
<h3>Selected Bibliography</h3>
2020
“Viewing Conditions: A conversation between Elizabeth Zvonar and Sara Cwynar” Canadian Art, Spring 2020.
2019
Sheih, Anita, “Collage: Greater than the Sum of Its Parts,” Musée, July 11, 2019
2017
Luo, Amy. “Elizabeth Zvonar: Burrard Arts Foundation, Vancouver, Canada”, Frieze, Issue 189, September 2017.
Bergman, Randi. “Exit Through the Pop-Up”, Canadian Art, Spring 2017.
Sinkewicz, Alison. “Elizabeth Zvonar”, Montecristo Magazine, April 4, 2017.
2016
“An Interview With Elizabeth Zvonar,” Tussle, June 2016.
Zhong, Judy, “Aimia AGO Photography Prize,” Tussle, Fall 2016.
Collins, Leah, “These are the finalists for the 2016 Aimia AGO Photography Prize, and you get to pick the winner,” CBC, July 27, 2016.
Brait, Ellen, “And then there were four,” Globe and Mail, July 26, 2016.
Eckersley, Andrea, "The Artist as Transcendental Empiricist," un Magazine, issue 10.1, Summer 2016.
Freundl, Diana, “Past Forward: The Presence of Art History in the work of Elizabeth Zvonar,” Mash Up, Vancouver Art Gallery, 2016, exh. cat.
2015
Genda, Dagmara. “Elizazbeth Zvonar,” Border Crossings, Fall 2015.
Healey, Emma, “Elizabeth Zvonar: The Challenge of Abstraction,” C Magazine, Fall 2015.
Evans, Hayley, “Zvonar’s Collages and Sculptures Contemplate the Body’s Sexualized Relationship to Advertising,” Beautiful/Decay, February 24, 2015.
2014
Gowans, Jason, “Coping Mechanism,” Magenta Magazine, Summer 2014.
2013
Sullivan, Derek, Millions Magazine, issue 4
Turner, Michael, “Crystal Tongue Defies Analysis in Vancouver,” Canadian Art, June 12, 2013.
Sutherland, Caitlin, “Artificial Two-Step, Banal Baroque,” Daily Serving
Moser, Gabrielle, Banal Baroque review, Artforum, May 2013.
Goodden, Sky, “Matters in the Month of May,” blouinartinfo.com
Goodden, Sky, “Visual Overload, Fashion, Collage, and Beyond,” Modern Painters, May 2013.
2012
McCuaig, Amanda, “An Era of Discontent,” Art Threat, November 2012.
Speed, Mitch, “Phantasmagoria,” Frieze, issue 150.
Ross, Jacqueline, “Swarm Regards,” Decoy Magazine, September 14, 2012.
Thorkelson, Erika, “Exploring Vancouver’s Photographic Future,” Vancouver Sun, June 12, 2012.
2011
Griffin, Kevin, “Art Gallery gets Unreal With New Exhibition,” Vancouver Sun, January 29, 2011.
Laurence, Robin, “Exhibit Charts Unreal Worlds,” Georgia Straight, February 1, 2011.
2010
Egan, Danielle, “Danielle Egan’s Top 3: Best of BC,” Canadian Art, December 23, 2010.
Gauthier, Gerry, Like Some Pool of Fire, Open Space Gallery, Victoria, Canada, exh. cat.
Papararo, Jenifer et al., Portrait, Contemporary Art Gallery, Vancouver, exh. cat.
Jager, David, “Eclipse Insight,” Now Magazine, February 18-24, 2010.
Michael Dault, Gary, “Days of the Eclipse at Mercer Union,” Globe and Mail, February 6, 2010.
2009
De Baere, Bart, Dieter Roelstraete et al, All That Is Solid Melts Into Air, MuHKA, Antwerp, exh. cat.
Sandals, Leah, “Avatarring With The Same Brush,” National Post, Vol. 12, No. 35, December 7, 2009.
2008
Watson, Scott, Juan Gaitan, &amp; Monika Szewczyk, Exponential Future, Morris and Helen Belkin Gallery, Van, CA, exh. cat.
Bornowsky, Eli, “Exponential Future,” C Magazine, no. 98, Summer 2008.
Brayshaw, Christopher, “Exponential Future,” Border Crossings vol 27 no 2, June 2008.
Peck, Aaron, “Exponential Future,” Canadian Art vol 25 no 2, Summer 2008.
Griffin, Kevin, “Blurring the line... with a rich vein of material,” Vancouver Sun, February 20, 2008.
2007
Hopkins, Candice, “Parallel Dimension,” Postscript 30, September 2007.
Barnholden, Michael &amp; Glen Lowry, West Coast Line 54, Fall 2007.
2006
Papararo, Jenifer, Concrete Language, Contemporary Art Gallery, Vancouver, 2006, exh. cat.
Laurence, Robin, “Works look at language and its absence,” Georgia Straight, October 2006.
Burnham, Clint, “Concrete Language,” West Coast Life, Vancouver Sun, October 2006.
2004
Hamilton, Edward, Alternative Economies, Helen Pitt Gallery, Vancouver, exh. cat.
&nbsp;
Awards &amp; Residencies
2017
Burrad Arts Foundation, January – March, Vancouver
2016
AIMIA | AGO Photography Prize (Shortlisted)
Residency Unlimited, February – April, New York
2015
VIVA AWARD, The Jack and Doris Shadbolt Foundation for The Visual Arts
2012-15
City of Vancouver Artist in Residence Award
City of Vancouver’s Artist in Residence, Vancouver
2013
Artscape Residency Program, Toronto Island
2011
Emily Award, Outstanding achievement by an Emily Carr alumna, Emily Carr University
2009
City of Vancouver Mayor’s Award, Emerging Visual Artist
2008
The Banff Centre, Cosmic Ray Research Residency, Banff, Canada
Malaspina Printmakers, Print Research Residency, Vancouver
2007
VADA (Vancouver Art Development Award)
&nbsp;
<h3>Collections</h3>
Burnaby Art Gallery
Neuberger Berman
Toronto-Dominion Bank
Vancouver Art Gallery
The Morris and Helen Belkin Art Gallery

Elizabeth Zvonar

Canadian Art, 2020

Musée, 2019

Frieze, 2017

C Magazine, 2015

Artoronto, 2015

Border Crossings, 2015

Artforum, 2013

Blouin Artinfo, 2013

2020-02-20-MAJ_remanentes-004

Installation view of "Maude Bernier Chabot, Brie Ruais, Elizabeth Zvonar. Afterimages" at Musee d'Art de Joliette, 2020

2020-02-20-MAJ_remanentes-022

2020-02-20-MAJ_remanentes-017

2020-02-20-MAJ_remanentes-034

2020-02-20-MAJ_remanentes-035

2020-02-20-MAJ_remanentes-040

Zvonar, Clear Eyes Full Hearts, 2019

Clear Eyes Full Hearts, 2019

zvonar-milky_way_smiling-bay_st

Milky Way Smiling, 2019

Hello-Helen

Hello Helen, 2018

Storyteller

Storyteller, 2018

Samari

Samari, 2018

18_zvonar

Installation view of Elizabeth Zvonar at Daniel Faria Gallery, 2018

17_zvonar

Hardcore History, 2018

24_zvonar

Peace-Out

Peace Out, 2017

FuturePast-1

Future/Past, 2018

Visionary-Feminist-After-Jill-Soloway-and-bell-hooks

Visionary Feminist (after Jill Soloway and bell hooks), 2017

Into-The-Great-Wide-Open

Into The Great Wide Open, 2017

Ageless-Ambiguity

Ageless Ambiguity

Skull-1

Skull, 2018

zvonar-party_central

Party Central, 2017

zvonar-ghosts

Ghosts, 2018

zvonar-basement_entrepeneur

Basement Entrepeneur, 2018

E-04462

Installation view of Elizabeth Zvonar at the Art Gallery of Ontario, 2016

E-04461

E-04469

01.zvonar-below_your_mind

Below Your Mind, 2016

06.zvonar-madame_dans_une_nature_morte

Madame dans une nature morte, 2016

05.zvonar-louis_legs

Louis’ Legs, 2016

04.zvonar-portrait_mountain

Magic Mountain, 2016

07.zvonar-astral-apollo

Astral Apollo, 2016

02.zvonar-french_fantasy

French Fantasy, 2016

Zvonar-Offsite-3-side

The Experience, 2015

Zvonar-Offsite-4-glasses

Zvonar-Offsite-2-context

zvonar-we_play_to_our_wishes

WE PLAY TO OUR WISHES NOT TO THEIR RULES, 2015

LEATHER-GLOVED-HAND-3

LEATHER GLOVED HAND, 2015

HOME-SWEET-HOME

HOME SWEET HOME, 2015

TINY-DEVOTIONS

TINY DEVOTIONS, 2015

Installation-14

Installation view of Elizabeth Zvonar at Daniel Faria Gallery, 2015

zvonar-join_the_resistance

JOIN THE RESISTANCE, 2015

Installation-9

DOUBLEHEADER

DOUBLEHEADER, 2015

THE-CHALLENGE-OF-ABSTRACTION

THE CHALLENGE OF ABSTRACTION, 2015

zvonar-metaphysical

Metaphysical, 2014

zvonar-the_universe_is_mental-final

The Universe Is Mental, 2014

zvonar-root_chakra

Root Chakra, 2014

ez-Blind-Love

Blind Love, 2013

ez-free_people-tower_babel

10-4, 2013

ez-harryelephant

Harry Elephant, 2013

16_elizabeth_zvonar

Marcel Meets Judy, 2013

ez-sunset

Sunset, 2013

23_elizabeth_zvonar

The Spectre, The Serpent, The Ghost, The Thing, 2013

25_elizabeth_zvonar

28_elizabeth_zvonar

Clusterfuck, 2013

38_elizabeth_zvonar

Cummy Loubous, 2013

37_elizabeth_zvonar

22_elizabeth_zvonar

Hands Across the Universe, 2013

15_elizabeth_zvonar

This A Way, 2013

12_elizabeth_zvonar

(b. 1983, Canada)
Lives and works in Toronto, Canada
&nbsp;
<h3>Education</h3>
2006          BFA School of Image Arts, Ryerson University, Toronto, Canada
&nbsp;
<h3>Solo Exhibitions</h3>
2019
from root to lip, Mercer Union, Toronto.
2018
Ruffled Follicles and a Tangled Tongue, Southern Alberta Art Gallery, Lethbridge
2016
Thrummer, Daniel Faria Gallery, Toronto
2015
Cloak, 8-11, Toronto
2014
Patterned Recognition, Daniel Faria Gallery, Toronto
2012
x, y, z, Daniel Faria Gallery, Toronto
2010
Light Behind and Beneath, LE Gallery, Toronto
&nbsp;
<h3>Group Exhibitions</h3>
2019
( ), Daniel Faria Gallery, Toronto.
But both are sensitive, Projet Pangée, Montreal
2017
Transmedia Publication, Trinity Square Video, Toronto
2016
Lumens, Musée Régional de Rimouski, Rimouski, Canada
Showroom, Justina M. Barnicke Gallery, Toronto
2015
The pen moves across the earth: it no longer knows what will happen, and the hand that holds it has disappeared., Blackwood Gallery, Mississauga
Talking Back, Otherwise, Jackman Humanities Institute, Toronto
Out of Line, Oakville Galleries, Oakville
2014
Who’s Afraid of Purple, Orange and Green?, Dunlop Art Gallery, Regina
Casting the Negative, Daniel Faria Gallery, Toronto
2013
More Than Two (Let It Make Itself), The Power Plant, Toronto
Volumes: Works in Paper, Burnaby Art Gallery, Burnaby
From Nature, Equinox Gallery, Vancouver
2012
trans/FORM, Museum of Contemporary Canadian Art, Toronto
2011
This Place In Time, Show and Tell Gallery, Toronto
Art Basel (with Art Metropole), Basel, Switzerland
To What Earth Does This Sweet Cold Belong?, curated by Jon Davies, The Power Plant, Toronto
2010
unREAL, The Harbourfront Centre, Toronto
Slight Gestures, Double Double Land, Toronto
The Dazzle, Narwhal Art Projects, Toronto
Atlas Findings (in collaboration with Naomi Yasui and Jacob Whibley), Narwhal Art Projects, Toronto
Come Up to My Room (in collaboration with Naomi Yasui and Jacob Whibley) The Gladstone Hotel, Toronto
2009
Aqua Art Miami with Narwhal Art Projects, Miami
GBA, Art Metropole, Toronto
What it Really Is, curated by Nicholas Brown, Red Bull 381 Projects, Toronto
2008
Stay Gold, Narwhal Art Projects, Toronto
GBA, Art Metropole, Toronto
Ground Frame Release, Switch Contemporary, Toronto
Term Projects, Xpace Gallery, Toronto
2007
GBA, Art Metropole, Toronto
Illuminations II, Contact Festival, Prime Gallery, Toronto
2006
Moving Facility, Xpace exterior storage space, Toronto
Making Room, Wallace Studios, Toronto
Recent Work, Ryerson Gallery, Toronto
Max Ex, Ryerson School of Image Arts, Toronto
2005
Descry, Steam Whistle Gallery, Toronto
Photo, Xpace Gallery, Toronto
&nbsp;
<h3>Selected Bibliography</h3>
2019
Cuthbertson, Christina. “Feeling the Idea: Jennifer Rose Sciarrino dvances a Speculative Future in Flesh.” MoMus, February 14, 2019
“Jennifer Rose Sciarrino ‘Ruffled Follicles and a Tangled Tongue’ at SAAG, Lethbridge.” Mousse Magazine, February, 2019.
2016
Hoekstra, Aryen, “Cloaked Bacteria and Yeast: Rendered biology seen through a hypothetical object,” Artist Project, C Magazine, Spring 129
2015
Who’s Afraid of Purple, Orange and Green?, Dunlop Art Gallery, Exhibition Catalogue
Vector Journal, issue 6
2014
Sciarrino, Jennifer Rose, 2015 – 06 – 21 – 2024 – 06 – 21, self-published
2013
Lexier, Micah, More Than Two (Let It Make Itself), The Power Plant
2012
trans/FORM, Museum of Contemporary Canadian Art, Toronto
2011
Vaughan, R. M, Globe and Mail, April
Sandals, Leah, National Post, March 12
Papercraft 2, Berlin, Gestalten
2009
Turner, L,  “What It Really Is,” C Magazine, issue 102, Summer
Budney, J, “Making Room,” Canadian Art, vol. 24 no. 2, Summer
Stuart, G, “Moving Facilities Ongoing Art,” The Strand, vol. 49 no. 7, November 30
Sayej, N, “Moving Facility,” Swingset 7
2006
Function Magazine, issue 7
2005
Function Magazine, issue 6
&nbsp;
<h3>Awards</h3>
2015
Visual Arts Project Grant, The Toronto Arts Council
2014
Visual Arts Project Grant, The Ontario Arts Council
Visual Arts Project Grant, The Canada Council For the Arts
Exhibition Assistance, The Ontario Arts Council
2013
Toronto Friends of the Visual Arts, Aritst Prize
Visual Arts Project Grant, The Ontario Arts Council
2012
Visual Arts Project Grant, The Toronto Arts Council
2011
Visual Arts Project Grant, The Ontario Arts Council
Exhibition Assistance, The Ontario Arts Council
Visual Arts Project Grant, The Toronto Arts Council
2010
Exhibition Assistance, The Ontario Arts Council
2006
Best Graduating Student, Image Arts, Ryerson University
&nbsp;
<h3>Collections</h3>
Mira Godard Study Centre, Ryerson University
MoMA, Library
Musée Régional de Rimouski
National Gallery of Canada Library
Toronto-Dominion Bank

Jennifer Rose Sciarrino